Official CD Releases | Rare / Live Releases & Bootlegs 1. "Friendly Ranger
at Clontarf Castle" (2:57) Thin Lizzy were originally a power trio in the image of Cream and the Jimi Hendrix Experience, which is in stark contrast to the lethal twin guitar attack that they would soon make famous. Phil Lynott was only beginning to develop as a lyricist and a songwriter, and the band was still a bit unfocused trying to decide if they were to play Irish folk-infused music or hard rock. There are tons of quiet ballads like "Honesty is No Excuse," "Eire," and "Saga of the Aging Orphan" but as usual with Lynott, his ballads are always powerful. The rockers "Look What the Wind Blew In," and "Return of the Farmer's Son," while nothing compared to mid 70's Lizzy are still quite enjoyable. I actually like this album quite a bit, it's a cool late night listen. Tracks 1-10 formed the original album and were recorded Jan 4-9, 1971 Tracks 11-14 were recorded June 14, 15 & 17, 1971 and are bonus tracks which did not appear on the original version of the album. They are taken from the Decca EP (F-13208) entitled 'NEW DAY,' released August 20,1971
1. "Dublin" (2:28) Originally recorded in June of 1971 and released on Decca Records in England on August 20th, 1971, this four song EP is quite the collector's item on vinyl. What I have here is a bootleg CD. "New Day" has never officially been released on CD as single disc. However, the songs were released as bonus tracks on the remastered version of Thin Lizzy's first, self-titled CD as well as on several different compilation CDs. All of these songs pre-date Thin Lizzy's jump into hard rock and heavy metal and have that classic Irish folk rock sound from the first few Thin Lizzy platters.
Thin Lizzy were still caught between being a hard rock/heavy metal band and an Irish folk-rock band on their third album. While there are some great rockers on this one, there are still a few that are not up to typical Thin Lizzy standards. I think the band was still a bit undecided about what direction the band should actually take. Of course the awesome "The Rocker" is one of my favorite Thin Lizzy songs of all time. "Vagabond of the Western World" is a cool song as well but it's even better on the "Peel Sessions" recordings. The title track and "Gonna Creep Up on You" are also classic tracks and have that Irish influence running throughout. "Little Girl in Bloom" with it's double tracked guitars also gave a glimpse into what would soon become the trademark "Thin Lizzy" sound. Of the three Eric Bell-era albums, this one is actually my favorite. The Decca reissue also includes four non-LP tracks, including their first hit single "Whiskey in the Jar," and the awesome heavy metal track "Black Boys in the Corner." Tracks 9 and 12 are the two singles issued after "Shades of a Blue Orphanage," with the A sides ('Whisky In The Jar' and 'Randolph's Tango') being the full length versions. Raven covered "The Rocker" on "Glow" and Metallica covered "Whiskey in the Jar" on their "Garage, Inc."
1. "Black Boys On
The Corner" (3:22) A collection of early rockers and some rare singles from Thin Lizzy's early days before Scott Gorham and Brian Robertson. Some of the material features guitarist Gary Moore. Much of this stuff was not available on CD but when Decca re-released the first three albums, they included much of this material as bonus tracks. Still, this is a good listen every once and a while as it includes some of the best material from the first years of Thin Lizzy. "The Rocker" and "Little Darling" are among my favorites. This disc is out of print. I picked it up for $5.99 new many years ago. Pretty Maids covered 'Little Darling' on their "Red, Hot & Heavy" album.
1. "She Knows"
(5:12) The first album where Lizzy began to really let loose and become the guitar-led heavy metal/hard rock band they are remembered as. "Sha-la-la," while having a rather silly name, is a great song. "Still In Love With You" was a concert favorite for years to come. "Slowdown" and "Night Life" are excellent heavy R&B songs. Overall, not yet pure brilliance, but they were heading in the right direction. I own this on vinyl and CD.
1. "Rosalie"
(3:11) The first in a long line of brilliant albums by one of the first and best dual guitar heavy metal bands. Thin Lizzy perfected the dual lead and rhythm and inspired such artists as Iron Maiden and Metallica. This album was just the start. Songs like "Fighting" and "Ballad of a Hard Man" are pure metal. Others like "Suicide" and the Bob Segar cover "Rosalie" would be concert favorites for years to come. They really took this song and made it their own. Thin Lizzy are simply brilliant! Did I mention that this was just the start of even better things to come? "King's Vengeance" was covered by Scott Gorham's post Lizzy band 21 Guns. Iron Maiden covered "Rosalie" live. Although this is not actually a Thin Lizzy song, Maiden's cover was very much inspired by the Thin Lizzy version. The song has only been released as a bootleg. This was Thin Lizzy's biggest studio record in the US, due to the singles "Boys Are Back in Town" and "Jailbreak." I could care less about hits, but Thin Lizzy's "Jailbreak" is a great early heavy metal record. I still get chills when I hear the guitar lead break in "Warrior" or the heavy rhythm of "Emerald." "Cowboy Song" was a concert favorite right up until the time Thin Lizzy broke up. (Anthrax did a cool cover of this song on their "Black Lodge" EP) "Jailbreak," like many of Lizzy's studio albums after this one, is a concept record. Instead of explaining the story, I thought I would just reprint the liner notes instead:
It goes without saying that "Jailbreak" is one of my all time favorite CDs. Of course the liner notes are printed without permission from anyone. (-: 2011 DELUXE EDITION Six Feet Under recorded a death metal version of "Jailbreak". Grave Digger also recorded a cover of "Jailbreak".
1. "Johnny" (4:26) And yet another brilliant Thin Lizzy record. This one is also a concept record, although the songs stand alone one their own. I never really paid much attention to the storylines, but this story is about an unlikely hero, "Johnny," who saves a young damsel in distress. "Massacre" is an intense dual guitar attack. "Don't Believe A Word" is a hard rocker that sounds even better on "Live & Dangerous." "Boogie Woogie Dance" is a heavy song with a groove. "Old Flame" and "Sweet Marie" are tender ballads. The thing about Lizzy ballads is that they always fit into the record, as opposed to being an annoying song stuck on the record just to get radio airplay or to fill a space. Like many of their 1970s releases, "Johnny the Fox" is a good listen from beginning to end. Phil Collins is listed in the thank you list as having played some percussion, although what and were is unknown. I own this on vinyl and CD. Iron Maiden did an excellent cover of "Massacre." John Norum has covered "Don't Believe A Word". The Southern Rock Allstars (featuring Dave Hlubeck ex-Molly Hatchet and Jackson Spires ex-Blackfoot) "Don't Believe a Word" on their Crazy Again CD (Record Heaven Music) 2001. Def Leppard recorded a cover of "Don't Believe a Word" on their Yeah! CD.
Always wondered why the front cover featured only three of the four Lizzy dudes. Found out later that Brian Robertson was forced to back away from the band due to breaking his hand in a bar fight. Robertson, however, is still listed as a member and is still pictured on the back cover. Guitarist Scott Gorham handled all guitar duties and did so in a fine manner as "Bad Reputation" is another brilliant, 100% filler-free Thin Lizzy album. Every song possessing it's own emotion and splendor. Of course, much of this is helped by Phil Lynott's soulful vocals and poetic lyrics. Favorites are the title track, "Dancing in the Moonlight," "Opium Trail," the underrated "Dear Lord"...oh heck, the whole disc is good. I own the remastered version of this on CD as well as the original vinyl pressing. "Bad Reputation" has been covered by Phantom Blue as well as John Norum and Tesla. Norum also recorded a cover of "Opium Trail".
Despite the fact that every review of this disc I have ever read slams it as the worst thing Thin Lizzy has ever done, I like it. Perhaps there are some keyboard-pop attempts here, as was popular in 1982, but songs like "The Pressure Will Blow," "Hollywood," and the epic "Angel of Death" still sound like the metallic machine that Thin Lizzy was. New guy (former Pink Floyd tour guitarist) Snowy White never really fit the bill, either in look or in sound, but as long as Scott Gorham and Brian Downey were doing their part and Phil Lynott was still writing the material, it sounded like Thin Lizzy. Of course, at this point in their career, the band was plagued with heavy drug use, so the majority of the songs are not quite as focused as past efforts. Also, the overly clean production hampers how heavy this disc could have been. Still, no where near the tragedy that most people say it is. Perhaps "Renegade" is one of the worst Thin Lizzy studio albums, but with a line of masterworks under their belt, their worst is still better than many others best. My CD copy is the Metal Blade reissue. A good friend gave it to me because he didn't like it. One man's garbage is another man's treasure. I own this on vinyl and CD. Gamma Ray recorded a metallic version of "Angel of Death" on their 'Heaven & Hell' single. Shotgun Messiah recorded a cover of "Hollywood".
What can I say, if your going to go out, go out with a bang and at the top of your game. "Thunder and Lighting" was Thin Lizzy's final studio release. A "Farewell Tour" was scheduled to coincide with the release of the album. "Thunder and Lightning," was a fitting farewell as it is an AWESOME album and probably my favorite of their 80's releases. Tygers of Pan Tang guitarist John Sykes (who is still with the resurrected "tribute" band in 1999) replaced Snowy White and/or Gary Moore, and the new talent must have kicked Phil Lynott and Co. into high gear. "This Is the One" and "Cold Sweat," are pure Lynott magic. "The Sun Goes Down" is an excellent, emotion packed ballad. "The Holy Wars" is also one of Lynott's finest. There are a few weak spots, like the synthesizer solo in the middle of the title track that weakens this other wise heavy studio version. A Gorham or Sykes guitar solo would have been cool. Live versions of this song, like on "Life" and "BBC Radio One," prove that the song was suppose to be an all-out rocker. Overall, however, this is a great album and a frequent player on my CD player. I own this on vinyl and CD.
What is cool about this disc is that it features every guitar player from Thin Lizzy's incredible lineups, all the way back to original guitarist Eric Bell. "Black Rose," features guitarist Gary Moore who pulls off an unbelievable extended solo. Also on hand was Snowy White, Scott Gorham, John Sykes (ex-Tygers of Pan Tang, Whitesnake), and the incredible Brian "Robbo" Robertson. The only downfall of this disc is that there was extensive studio "fixes" done, so the album is not a raw as "Live and Dangerous" or even the "BBC Radio One" disc. The quantity and the quality of material is great, despite reviews claiming that the newer material was not up to the standards of the older material. I personally think "Thunder & Lightning" is one of Phil Lynott's best songs. Lizzy Live! I can't get enough of it. This disc is now out of print, including the Metal Blade reissue. From what I read, Metal Blade licensed the disc from Warner Bros. but were only allowed to print so-many copies.
An import CD single to help promote the "Dedication" compilation. This single features the 'new' track from which the single is named. 'Dedication' is a song that was probably started by Philip with his band Grand Slam but through modern recording techniques it was completed by Brian Downey and Scott Gorham after Philip's death for release first on this single, then later on the compilation also titled 'Dedication.' There are two live tracks that are not available on any other official release, as far as I know. I'm not sure of the year of release but I assume it was released just before the release of the compilation in '91.
1. "Whiskey in The
Jar" (5:45) A decent "best of" collection that includes much of the essentials but leaves out all most of the classic 80's material. The only real reason a Thin Lizzy fan would want this single disc collection is for the essential, unreleased title track "Dedication." No information is given about this song except for a year of release 1990 and a publishing date of 1991. Of course, the vocals and bass tracks must have been recorded before January of 1986 when Phil Lynott died. I couldn't see paying $16.99 for a disc that had one song on it that I wanted so I waited for a long time and finally found a used copy for $6.99.
1. "Mama and Papa"
(2:25) While labeled as Phil Lynott, this is essentially a Thin Lizzy EP as Eric Bell is the guitarist on these tracks, and this was an early incarnation of Thin Lizzy. "The Lost Recordings" features five songs that were recorded in early 1970.. There are different versions of 'Saga Of The Ageing Orphan' and 'The Friendly Ranger At Clontarf Castle' both of which appeared on the album Thin Lizzy (1971). There is also a different recording of 'Dublin' which appeared on the New Day EP (1971). The remaining two songs - 'Mama And Papa' and 'It's Really Worthwhile' - are effectively 'new' and 'unreleased' as they were never otherwise recorded. Apparently the tapes for these tracks were securly locked up at Trend Studios in Dublin for all these years. All five tracks are far removed from the twin guitar attack that Lizzy would be known for. Rather, these tracks are acoustic based and are more Irish folk than rock. The CD comes out to coinicide with Lynott's birthday on August 20, which is also the first anniversary of the unveiling of his statue, beside Bruxelles in Dublin. The EP was only released through the local music magazine HotPress and will not be reissued in any form making this an instant collector's item. (extra special thanks to my good friend Kieran for hooking me up with this!)
1. "Fighting My Way
Back" (3:51) I am a Thin Lizzy fanatic. When I found out that this show from 1975 was being released officially on CD, I more than eagerly anticipated it's release! Thin Lizzy live are always outstanding! They had an energy that was never quite captured in the studio like it is one their live recordings. "UK Live '75" is a complete live show that was originally a BBC radio broadcast. Recorded at Derby College in November 1975, this CD features songs from the band's underrated "Nightlife" and "Fighting" albums. Five songs from "Fighting" show up here. There is also one new song that would show up on the band's next album, "Jailbreak". Phil titles the song "Derby Blues" during the performance, but would eventually be known as "Cowboy Song". The album features some great songs that wouldn't be played on future tours like "It's Only Money" and "Little Darling". Of course, once the band hit their stride with "Jailbreak", songs like "Emerald", "Jailbreak" and "Boys Are Back in Town" would become the concert staples. The CD also features the bonus "Sound Check Jam", which was a nice inclusion. The sound isn't perfect, but does sound 100% live. Personally, I prefer it that way. Actually the sound here is quite good despite the minor imperfections. The packaging is outstanding featuring a miniature album cover, with an inner picture sleeve and a 20-page booklet. The booklet features a slew of photos from this era of the band as well as a write up from Lizzy drummer Brian Downey. A very cool collector's disc for the Thin Lizzy enthusiast. Wow! Two new "official" live Lizzy releases in one year. This one comes on the heal of the excellent "UK Tour '75" and features Thin Lizzy recorded live in my old stomping grounds, The Tower Theater in Philadelphia, PA. I saw many killer shows at the old, converted movie theater back in the day. "Still Dangerous" obviously plays off the legacy of "Live & Dangerous", an album many consider to be one of the best live albums of all time, myself included. In 1977 Thin Lizzy were at the top of their game musically, even if they were imploding from excessive drug use and internal torment. Unlike "Live & Dangerous", this recording is supposed to be untouched with overdubs. If that be the case, the band was on their game here. The songs sound alive and full of energy and I don't really hear any huge flubs. Of course, I'm of the opinion that rock and roll was never suppose to be perfect to begin with. Rock and roll should be raw and emotion filled, as opposed to stiff perfection. Thin Lizzy had actually performed two shows at the historic Tower Theater. "Still Dangerous" offers a compilation of ten songs from those two shows. I'm not sure why the powers that be decided to release only ten songs but this is unfortunate. I have a bootleg recording from one of the shows and there are at least six other songs that could have been included here. Perhaps someone felt the performance wasn't up to their standards, but from what I have heard, the entire show was fantastic. Those lucky enough to score the vinyl issue of "Still Dangerous" were given a bonus 7" single that includes two more songs from this song. Back to Main Index | Vinyl Collection | Rare Live Releases & Bootlegs Related collections: Also see: The Spirit of the Back Rose-A Tribute to Philip Lynott |