Disturbed - Sickness (Giant) 2000DISTURBED
Disturbed - Sickness (Giant) 2000
1. "Voices"
(3:11)
2. "The Game" (3:47)
3. "Stupify" (4:34)
4. "Down With the Sickness" (4:38)
5. "Violence Fetish" (3:23)
6. "Fear" (3:46)
7. "Numb" (3:44)
8. "Want" (3:52)
9. 'Conflict" (4:35)
10. "Shout 2000" (4:17)
11. "Droppin' Plates" (3:49)
12. "Meaning of Life" (4:02)
The Sickness is the first entry by Chicago's nu-metal delegates, Disturbed. I must admit that I have given many, many "nu" bands a listen only to get rid of their CDs within days. Personally I just think the music by most of these bands suck! However, Disturbed are an exception to the rule. They avoid the trappings of many of the bands, like the awful rap-metal tendencies. Instead what they offer up is a mixture of raw, crunchy, groove-laden guitar riffs with a slight industrial feel. The vocals are mostly shouted in an angry fashion, although almost every song is peppered with those signature "ack, ack" sounds by vocalist David Draiman. Like Sevendust, Disturbed also mix in a fair amount of melody to their songwriting which may be the reason that I find them to be more enjoyable than the average alt-metal, Korn wanna-be band. Unlike the band's follow-up CD, they manage to vary the song tempos and give a bit of variation to the songs. One of the downfalls of this album is a lack of shredding guitar leads. With the exception of a few pinch harmonics and an occassional melodic guitar break, the guitar work is kept to the stop/start rhythms. Metal just screams for lead breaks and it is really apparent that Disturbed would be just that much better with a guitar player who could shred. As it stands, however, this isn't a bad CD at all.
Disturbed - Believe (Reprise) 2002
1. "Prayer"
(3:41)
2. "Liberate" (3:30)
3. "Awaken" (4:30)
4. "Believe" (4:27)
5. "Remember" (4:12)
6. "Intoxication" (3:14)
7. "Rise" (3:57)
8. "Mistress" (3:46)
9. "Breathe" (4:21)
10. "Bound" (3:53)
11. "Devour" (3:53)
12. "Darkness" (3:58)
Everyone was telling me how great this band is, and how they are not really "nu-metal." I'm game for new stuff. I mean I love Sevendust. Everyone on the chat-board I hang out at was telling me that Disturbed are even better than Sevendust. Well I finally got a copy of "Believe" in a trade and listened to it from beginning to end three times in my car. First of all, this is NOT metal. How they got labeled metal I don't know. Having some distortion on your guitar does not a metal band make! Disturbed are modern radio rock; short songs that lack dynamics, average vocals, with every song being very similar in sound and tempo. I put them in the same league as and other modern radio oriented bands. However, Three Doors Down at least has some hooky choruses and such. I don't care what anyone says about "quality songwriting". This band needs a guitar player who can rip out a lead, even a melodic lead here and there would bring some excitement and dynamics to the otherwise mundane music. Basically they just write a bunch of midpaced riffs and string them together in a song. The more of this "nu" stuff I hear, the more I am convinced that the whole "we don't do leads because we concentrate on songwriting" is just a crock of crap. Solid leads are part of the songwriting process and an essential element in heavy rock 'n roll and certainly heavy metal.
Having said all that, this CD doesn't suck either. If it did, I wouldn't have let it play for as long as I did. There were some cool riffs, some cool vocal melodies, and I quite enjoyed a few of the songs. I've heard FAR worse bands like Korn and Limp Bizcrap. However, a modern band like Nevermore has 10x better riffs, are more dynamic and have some blazing guitar solos on top of that. That is not to mention the vocals are just more unique. Guess I am just OLD SCHOOL til death! I do like the cover art though.
For an example of pure cluelessness, check out AMG's Review:
No longer depending on the choppy tempos and percussion-based riffing of the past, guitarist Dan Donegan has made great strides in expanding their sound to include more varied guitar work all around. Take the title track, which moves from a brutal chug to a sweeping chorus that suddenly stops in its tracks and turns into a winding riff that recalls the work of vintage James Hetfield. It's great stuff, the kind of audible theatrics that makes good heavy metal so visceral and potent. Draiman makes an appreciated and notable effort to stretch his vocal boundaries as well, and his performance is one of the most improved of the band. His clear wail is a more emotive vessel this time, while his gravel-throated bark still adds the trademark harsh element to the sound. All of this adds up to a deeply melodic, at times even beautiful treatment of the genre; the kind of record that makes a metalhead proud to be a metalhead. -Bradley Torreano, All Music Guide
MAN, what RECORD DID THESE GUYS LISTEN TO? Varied guitar work? the kind of record that makes a metalhead proud to be a metalhead.? Recalls the work of vintage James Hetfield? Perhaps they call St. Anger vintage.
Disturbed - Remember (Reprise/England) 2002
1. "Remember"
(4:07)
2. "Remember" [live] (4:22)
3. "Rise" [live] (4:10)
Picked up this CD single for $2 in a cut-out bin. I thought it might be cool to hear if Disturbed were any heavier live than they are on thier studio discs. In fact they are a bit heavier and the two live tracks are worthwhile. The band live is actually touting how "metal" they are, telling people to lift up their 'devil horns' and such. Hmmm...
Disturbed - Ten Thousand
Fists (Reprise) 2006
1. "10,000 Fists"
(3:32)
2. "Just Stop" (3:43)
3. "Guarded" (3:20)
4. "Deify" (4:17)
5. "Stricken" (4:05)
6. "I'm Alive" (4:41)
7. "Sons of Plunder" (3:47)
8. "Overburdened" (5:57)
9. "Decadance" (3:24)
10. "Forgiven" (4:12)
11. "Land of Confusion" (4:49)
12. "Sacred Lie" (3:05)
13. "Pain Redefined" (4:17)
14. "Avarice" (2:56)
When I posted on the NoLifeTilMetal.com discussion board that I had received this CD, the comments were basically, "Why?" Disturbed play as style that is without a doubt outside of my usual likes. However there is something about this band that I like. On "Ten Thousand Fists", the band doesn't really stray that far from what they had done on the first two albums, only this album seems to add a bit more hook. Actually, I think I would best describe this CD as a combination of the two albums, with the aggression of "Sickness" and the melodic nature of "Believe". The CD opens with a fist in the air, headbanger. Like it or not, the title track has an infectious groove. Perhaps one of the things I like about them is their commercial accessibility. Songs like "Striken", "Guarded " and the Genesis cover "Land of Confusion" are hard rocking and modern radio ready. So why doesn't that make me want to hurl? I don't know. Another thing I like about this band is vocalist David Draiman's charisma and unique style. He uses those short grunts quite a bit. As a matter of fact, the grunts in "Stricken" are not that different from the grunts on "Down With the Sickness" from the band's debut. One thing the band has added into the mix is some melodic guitar solos. Don't expect any 1980's shred, but at least there is hope that the guitar solo will make a return. Yes, they still use a lot of those nu-metal stop/start riffs, but they do so effectively, in my opinion. My only real complaint about this CD is that it is a bit too long. If the band would have chose the best 10-11 songs and left the rest as b-side material, I think this would have been a much more solid album. As it stands there are some mediocre, repetitive songs here that bog the album down
Disturbed - Indestructible (Warner Bros.) 2008
1. "Indestructible" (4:38)
2. "Inside the Fire" (3:52)
3. "Deceiver" (3:49)
4. "The Night" (4:46)
5. "Perfect Insanity" (3:57)
6. "Haunted" (4:42)
7. "Enough" (4:20)
8. "The Curse" (3:25)
9. "Torn" (4:09)
10. "Criminal" (4:16)
11. "Divide" (3:36)
12. "Façade" (3:45)
The follow-up to the commercially successful "Ten Thousand Fists" continues in much the same manner. "Indestructible" starts off with two incredibly infectious song. Both "Inside the Fire" and the title track will most likely please any fan of the band. Both songs have a heavy groove and hooky choruses. Either of these two songs could have been on "Ten Thousand Fists" and would not have been out of place whatsoever. It’s nice to hear a modern band using guitar solos again, even if they are used sparingly. "The Night" may very well be the best song on the album. With this track, Disturbed have created something truly heavy, and once again, the guitar solo becomes an essential part of the song. If this song isn’t used as a single for the band, I’ll never understand why. The album finishes off with another strong song titled “Façade”, which features a slightly faster tempo and a nice wah-wah solo.
Disturbed have most certainly found their own sound. They really don’t sound like any other band that I am aware of. When I hear a Disturbed song, even one that I am not familiar with, I know immediately who the song is by. Part of the reason for this is Dan Donegan guitarwork together with David Draiman’s distinctive voice.
My biggest complaint about any Disturbed album is that the songs tend to blend together, and that is the case with "Indestructible" as well. The album starts off strong, as I already stated, but by the middle of the album, it seems as though I’ve heard it all before. Dan Donegan tends to recycle riffs quite a bit and with few exceptions the song all tend to be of the mid-paced variety. A song like "Divide" starts out with a fast double bass beat, but then regresses into yet another mid-paced groove song. A bit more variety in the songwriting and especially in the riffs would make for a more solid overall album, in my opinion. Other than this complain, I found "Indestructible" to be an enjoyable album.