KISS
KISS Facts:

KISS
Original Kiss debut vinyl cover art
(note the Casablanca logo in corner)


Original pressing, back cover art
(without "Kissin' Time" added)


Original pressing center ring w/o "Kissing Time"

Kiss 1973
Alternative cover photo

 

Ace 1973
Ace Frehley 1973

Album Originally Released: February 8, 1974. (Casablanca/Warner Bros. NB-9001 / US, 2/74 w/o "Kissin' Time") This is the more sought after version by collector's. According to Black Diamond, "Kiss" was released on Feb. 18th, 1974 on the East Coast and Feb. 25th on the West Coast, USA. (Black Diamond, p. 49) However, I think the 18th was typo.

Producer(s): Kenny Kerner & Richie Wise

KISS was the first and only album distributed via Warner Bros. Records

Attained RIAA Gold Certification 6/8/77.

KISS only reached # 87 on Billboard's charts and dropped off very quickly.

Original pressings of "Kiss" do not include "Kissin' Time". The album was reissued in July 1974 to include "Kissin' Time".

"Kissin' Time" (Mann/Lowe) is a cover of a Bobby Rydell hit. Rumor was that a famous DJ from Nashville suggested that Kiss revise and record the Bobby Womack song "Twisin' Time" to "Kissin' Time" to help promote a kissing contest to promote both the band and WSHE, a rock radio station. While it is true that the song was used for a contest on the radio station, the song was never originally titled "Twistin' Time." The lyrics were altered from the original song as the band and their management felt some of them didn't quite fit the band's image. Upon it's release the song didn't reach anywhere near the success of the original song hitting only #83. The song fared somewhat better on the Cashbox charts, reaching #79 on June 22 after five weeks on the charts.

"Love Theme from Kiss" had been performed in concert by the band in an extended version titled "Acrobat" before the recording of "Kiss". This song was played by the band as late as June 1974. (In 2006, a DVD box set was released with a live version of "Acrobat" from 2/17/74)

Before the release of the album, Eugene Klein (Gene Simmons) was working as a school teacher; Paul Frehley (Ace Frehley) was driving a taxicab; George Criscuola (Peter Criss) was in several bands including Lips and Chelsea; and Stanley Paul Eisen (Paul Stanley) was a struggling art student playing in various bands at night hoping to get discovered. Stanley and Eugene would form a group called Wicked Lester with a mutual friend named Steven Coronel in 1970 after Coronel introduced the two. As Wicked Lester, they even recorded an album's worth of demos for Epic Records in 1971-72 that never got released. Some of these songs would show up on later KISS albums. Peter was enlisted around April 1972 and Ace followed in January 1973 to become the hottest band in the world . . . KISS!

KISS' first gig was at The Coventry in New York on January 31, 1973--only 2 weeks after Ace joined the band.

Names for the band before KISS was decided on included "Albatross", "Rainbow", and "Crimson Harpoon". Gene was once quoted as saying that he wanted to call the band F**K but thought it wouldn't fly with record companies. This was later shown to be just a joke. The acronym Knights In Satan's Service that many anti-rock preachers claimed was what KISS stood for was never true either. (or Kids In your Sister's Skirt, or Kings In Satan's Service, or any other acronym)

November 1, 1973--KISS signs with Casablanca records for a four-album deal.

Kiss was the first band to sign to Neil Bogart's Casablanca label, but "Kiss" was the second release on the label. A single from Bill Amesbury entitled "Virginia (Touch Me Like You Do") was actually the first release, albeit a single. "Kiss" was the first long play album to be released on the label. (p.49 -Black Diamond,)

KISS' biggest musical influences were Alice Cooper, Mountain, New York Dolls, and The Beatles.

Gene's hair caught on fire several times while performing his fire breathing act.

The cover of KISS was created by having the band sit under a heavy (and reportedly hot) black curtain. The band wanted the cover to resemble the classic 'Meet The Beatles' album cover.

To get the silver look in his hair, Ace used silver spray-painted that he assumed would wash right out. He was mistaken.

Peter Criss' make-up was changed on the day of the photo shoot by a make-up artist against the will of Criss. All three of the other members did their own make-up. It was the artist's idea to put the dots on Peter's whiskers and such.

Nothin' To Lose/Love Theme From KISS was the first single released by the band.

KISS re-recorded Strutter as a "new" track for 1978's Double Platinum.

According to Ace Frehley,

"I'd give it five stars. It was one of our best records because it had that spontaneity and that tough kind of sound. I think we put 110% on that record. It was the first time I ever did a real album. In retrospect, Richie and Kenny weren't the greatest producers. They were as green as were were...production-wise it's lacking a lot. The songs on the first album are good. We knew those songs backward and forward." -Kiss-Behind the Mask, p. 210

According to Peter Criss,

"I'd give it five stars because it was the first. The first album was my baby. I gave it my all. I loved all the songs on it like "Strutter", which is one of my favorite Kiss songs, "Duece" and "Firehouse." I wanted it. I didn't want to have to go back to the bars. I put my whole heart and soul into it, which I didn't do with every one of them." -Kiss-Behind the Mask, p. 210-211

According to Gene Simmons,

"The first album is the first time we all got pregnant. The baby came and that's what it was. There wasn't a lot of foresight. It was all done in three weeks. Two weeks of recording and then mixing. We recorded the first KISS album at Bell Sound in New York. It was kind of an extension of the first demos we did...I quite like the album, I think the songs stand up. There's some interesting playing. The tempo of the songs is slower than I'm used to hearing." -Kiss-Behind the Mask, p. 210

According to Paul Stanley,

"Recording the first album was the culmination of everything I'd worked for up to that point...some bands have had the good fortune of being in the studio with technicians and a creative team that could capture their sound. I think unfortunately, starting with the first album, that was never achieved with KISS. Though it documents our songs, it doesn't capture what the band was about live or sonically. But what came from inside us managed to transcend what is sorely lacking in terms of the scope of the recording. I'd give the first KISS album five stars, because that's the mother of all others. That was like our Declaration of Independence, and everything that came after that is based on that album." -Kiss-Behind the Mask, p. 210

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