Foreigner (Rhino/Atlantic) 1977
1. "Feels Like the
First Time" (3:52)
2. "Cold as Ice" (3:23)
3. "Starrider" (4:03)
4. "Headknocker" (3:05)
5. "The Damage is Done" (4:19)
6. "Long, Long Way from Home" (2:55)
7. "Woman oh Woman" (3:53)
8. "At War with the World" (4:26)
9. "Fool for You Anyway" (4:17)
10. "I Need You" (5:18)
BONUS TRACKS
11. "Feels Like the First Time" [demo] (3:40)
12. "Woman oh Woman" [demo] (4:14)
13. "At War with the World" [demo] (5:00)
14. "Take Me To Your Leader" [demo] (3:40)
Foreigner? What the heck is this doing on a page about heavy metal and hard rock? Yes, I know, I know, Foreigner and Journey are far removed from what most would consider heavy metal. Certainly any self respecting metalhead worth his patch clad denim vest in the late 70's and early 80's wouldn't admit to liking this bunch of AOR rockers, especially after they became the kings of high school slow dances with "Waiting for a Girl Like You" some years later. In reality, however, this is a really good rock 'n' roll record. Many regard it as the band's best. It certainly generated a couple of mega-hits in "Feels Like the First Time" and "Cold As Ice". One other thing that Foreigner did in 1977 was to help kick off the big arena rock era that would soon follow. While most 70's bands were being beat into the ground by the punk explosion of the time, Foreigner, Journey and Boston all proved to the world that genuine rock n roll was still relevant and hugely popular. For the most part, the songs on Foreigner are relatively tame compared to harder rocking bands like Ted Nugent and Aerosmith who were both hugely popular in '77. They were especially tame to the newers crop of heavy British bands like UFO and Judas Priest, who would soon find fame in heavy metal's resurgence in the 80's. However, Foreigner songs still rocked, thanks in part to the riffs of Mick Jones, the soaring, clean vocals of Lou Gramm and the catchy songwriting. There was even a bit of experimentation with "space rock" on songs like "Starrider". Oh sure, no metalhead would admit to liking this trite, but the fact is, we all left the radio station on when these songs came on. C'mon, admit it, you know you like it!
Reissued and remastered in 2002 with four bonus tracks. Nothing really essential here, but the remastering and expanded booklet are worth the price.
Foreigner - Double Vision (Atlantic) 1978
1. "Hot Blooded"
(4:20)
2. "Blue Morning, Blue Day" (3:06)
3. "You're All I Am" (3:19)
4. "Back Where You Belong" (3:20)
5. "Love Has Taken Its Toll" (3:25)
6. "Double Vision" (3:40)
7. "Tramontane" [instrumental] (3:52)
8. "I Have Waited So Long" (4:04)
9. "Lonely Children" (3:31)
10. "Spellbinder" (4:43)
Led by songwriting and smooth voices of Lou Gramm and Mick Jones, Foreigner deliver their sophmore release. Many fans at the time were unsure that Foreigner would be able to record a follow-up album as good and the hugely successful debut. However, Foreigner indeed delivered the goods as "Double Vision" was a big hit and helped secure the band as superstars. This one features several big rock radio staples including "Hot Blooded" and the title track. Both are big rockers and some of the band's finest songs. Likewise, "Blue Morning, Blue Day" is n excellent, classic, melodic song. I also enjoy the keyboard heavy instrumental "Tromontane". Unfortunately this CD is marred by a few sappy ballads such as "You'r Are All I Am", "I Have Waited So Long" and "Back Where You Belong". Other than these, however, I enjoy the bands simple, pop rock approach from time to time and find "Double Vision" to be on par with the band's debut.
Foreigner - Head Games (Atlantic) 1979
1. "Dirty White Boy" (3:37)
2. "Love on the Telephone" (3:18)
3. "Women" (3:25)
4. "I'll Get Even with You" (3:40)
5. "Seventeen" (4:43)
6. "Head Games" (3:37)
7. "The Modern Day" (3:26)
8. "Blinded by Science" (4:54)
9. "Do What You Like" (3:58)
10. "Rev on the Red Line" (3:35)
BONUS TRACK
11. "Zalia" (2:34)
And the rock and roll hit machines keeps on rollin'. Same macho, sexist lyrics. Same keep it simple formula. The band still rocks hard, for the most part, but the pop hooks are undeniable. The albums starts off with a good time rock and roller "Dirty White Boy". There's the Foghat boogie rock of "Woman" and the Steve Miller Band swagger of "The Modern Day", which is sung by Mick Jones instead of Lou Gramm. The album's big hit was "Head Games", a heady rocker with an undeniable hook. The production on "Head Games" is mildly heavier that the previous two, making the rockers seem to rock just a bit harder. "Head Games" keeps it simple; straight forward hard rock with lots of hooks. It's what Foreigner did best up through this album.
Foreigner - 4 (Atlantic) 1981
1. "Night Life"
(3:51)
2. "Juke Box Hero" (4:20)
3. "Break It Up" (4:13)
4. "Waiting For A Girl Like You" (4:52)
5. "Luanne" (3:28)
6. "Urgent" (4:31)
7. "I'm Gonna Win" (4:53)
8. "Woman in Black" (4:46)
9. "Girl on the Moon" (3:53)
10. "Don't Let Go" (3:57)
BONUS TRACKS
11. "Juke Box Hero" [unplugged] (3:06)
12. "Waiting For A Girl Like You" [unplugged] (2:50)
Foreigner broke into the 1980's with a bang. "4" was a huge hit for the band in 1981 and featured several singles. Yes, I know, no self-respecting metalhead in the early 80's would be caught dead listening to this radio dribble. Even if one could justify owning and listening to the band's first two or three albums, this album seemed to be just a bit too far outside acceptable hard rock standards. The keyboards on this album were equally as important as the guitars, which may account for why many rockers turned away from "4", while the masses ate it up. To a large degree I agree that this album is just a bit too pop. For the most part "4" is ultra-light, commercial, radio-ready, pop rock for the masses. The sappy ballad "Waiting For A Girl Like You" is one of the most overplayed songs in the history of rock and roll. Growing up and going to high school in the 80's, you couldn't go to a function without this song being cranked through the PA. I actually prefer the unplugged version included as a bonus track on this disc to the original version. However, the entire CD is not one long ballad. "Night Life" is a rocking opener and has a sound not unlike something off "Double Vision". Likewise the bluesy "I'm Gonna Win" has a similar sound to those early Foreigner albums. "Juke Box Hero" and "Urgent" are overplayed hits, but there is no denying the sing-along hooks of these songs. Both these tracks are still regular players on classic rock and pop formats. "Urgent" features a great saxophone solo. The lesser known "Luanne" is also a good uptempo number as well. "4" is not one of my favorite CDs, but it's a enjoyable, nostalgic trip through history every once and while. It should also be noted that the keyboards on this album were performed by Thomas Dolby, before anyone knew who he was.
Foreigner - Agent Provocateur (Atlantic) 1984
1. Tooth and Nail (3:55)
2. That Was Yesterday (3:49)
3. I Want to Know What Love Is (5:06)
4. Growing Up the Hard Way (4:14)
5. Reaction to Action (4:02)
6. Stranger in My Own House (5:05)
7. A Love in Vain (4:31)
8. Down on Love (4:12)
9. Two Different Worlds (4:32)
10. She's Too Tough (3:10)
Up to this point, Foreigner had a bunch of hard rock hits including "Cold As Ice", "Hot Blooded", "Juke Box Hero", "Head Games", etc. They had their share of ballad hits as well including "Blue Morning, Blue Day" and the high school slow dance favorite "Waiting on A Girl Like You", however, they were not defined by these ballads. They were more known for the rockers. With "Agent Provocateur", Foreigner sealed their fate as the kings of soft rock and heart throbbing love ballads. The big hit off this album was "I Want To Know What Love Is", a song that unfortunately defined Foreigner from the time it hit the air waves until present. As such, the hard rocker fans who were tired of the ballads turned away in droves, leaving only the here-today-gone-tomorrow radio hit fans. It's sort of unfortunate because there are still plenty of good rock and roll songs such as "Stranger in My Own House", "Reaction to Action" and "Tooth and Nail". These songs actually have a bit more bite than previous rockers. Album opener might have even been labeled as heavy metal in 1984. "That Was Yesterday" is another ballad, one that I think is better than "I Want To Know What Love Is", but isn't anywhere near as popular.
I had read on-line that the members of the band say that they wish they had never recorded "I Want to Know What Love Is." At the time I am sure they were basking in the limelight and platinum plus record sales. In retrospect, it sealed their fate as a lightweight ballad band.
Foreigner - Inside Information (Atlantic ) 1987
1. Heart Turns to Stone (4:33)
2. Can't Wait (4:31)
3. Say You Will (4:14)
4. I Don't Want to Live Without You (4:56)
5. Counting Every Minute (4:12)
6. Inside Information (4:12)
7. The Beat of My Heart (5:12)
8. Face to Face (3:56)
9. Out of the Blue (4:44)
10. A Night to Remember (4:08)
Foreigner were a hit making machine in the 70's and on into the 1980's. Their album "4" was a hug success culling several hit singles. It should be no surprise that subsequent follow-up albums pretty much stuck to a similar formula as "4", even if they weren't quite a good. Of course, since Foreigner were making tons of money for Atlantic Records, their recording and production is top notch for 1987. The album starts off with a fairly strong track in "Heart Turns to Stone", an energetic rock song that became a minor hit fora the band. "Say You Will" was a top ten single for Foreigner and pushed sales of "Inside Information" to platinum status. The song is a keyboard driven pop rock song with great vocals and an undeniable, memorable hook. The follow-up was also a minor hits, "I Don't Want to Live Without You" is one of those sickening, tepid, AOR, radio love ballads that clogged up pop radio in the 80's. Basically, this was an attempt to replicate the success of "Waiting for a Girl Like You" and "I Want to Know What Love Is". I suppose it worked, as the song is pretty memorable, even if it doesn't have the soul and passion of "I Want to Know What Love Is". "Inside Information" experiments a little, "Face to Face" is a driving synth rock song and "The Beat of My Heart" features a Spanish guitar intro by guest guitarist Hugh McCracken. "Face to Face" is actually one of the best songs on the album. However, the standout track is "Out of the Blue", the only song written by the entire band of Mick Jones (guitars/keyboards), Lou Gramm (vocals), Rick Wills (bass) and Dennis Elliott (drums). "Inside Information" was Foreigner's last huge commercial success. For what it is, an 1980's pop rock album, it's not bad, though I personally prefer the more organic hard rock of the band's 70's releases.
Foreigner - Mr. Moonlight (Rhythm Safari) 1995 
1. White Lie (3:54)
2. Rain (4:35)
3. Until the End of Time (4:51)
4. All I Need to Know (4:16)
5. Running the Risk (4:47)
6. Real World (6:20)
7. Big Dog (4:45)
8. Hole on My Soul (5:09)
9. I Keep Hoping (5:15)
10. Under the Gun (5:10)
11. Hand on My Heart (4:59)
After releasing one album without the consummate Lou Gramm on vocals called "Unusual Heat", Lou returns to the fold after a near eleven year absence. With "Unusual Heat" the band sort of lost their identity. No doubt it is Lou's vocals that help define the band. With him back at the mic, Foreigner sound like Foreigner. For the most part, the band that now includes only original members Mick Jones (guitar) and Lou, sticks to their '80s keyboard sound. There are a few rockers on here, like opener "Under the Gun" and the unusual "Big Dog". "Under the Gun" in particular has an AC/DC meets classic Foreigner vibe to it. Lou's smokey, slightly grainy vocals sound as good as they ever have. "White Lie" is a pop rocker in the tradition of "4". Of course, what would a Foreigner album be without the ballads? "Mr. Moonlight" is packed full of them. "Until the End of Time" and "I Keep Hoping" are typical high school slow dance fodder. However, "Real World" is far more interesting. The song is somewhat darker than the typical "Waiting for a Girl Like You" or "I Want To Know What Love Is" ballad. This song could have been a hit for the band, had it not been 1995 when music like this was considered "dead and gone". Overall, "Mr. Moonlight" seems to be a bit overrun with ballads. I would have preferred a few more hard rockers. However,"Mr. Moonlight" is still a good CD. Fans who dismiss this album without giving it a listen are doing themselves a disservice.